Lately my projects have included, complicated pieces, tons of trim, and everything from cat toys to puffy paint. However today's was simple, classic and very refreshing. With assistance from Mio Gubeneric we created a fantastically fit , 11 layer, hooped rehearsal tutu for Joffrey ballet academy dancer Hilary Katzman. It was very enjoyable to create something simple with fantastic fit, and finely made. I made the top layer of tulle 1.75 times fuller then i normally do to give this simple skirt a richer, fuller look. Tuesday, December 15, 2009
Basque to Basics. Wonder Bread does it best.
Lately my projects have included, complicated pieces, tons of trim, and everything from cat toys to puffy paint. However today's was simple, classic and very refreshing. With assistance from Mio Gubeneric we created a fantastically fit , 11 layer, hooped rehearsal tutu for Joffrey ballet academy dancer Hilary Katzman. It was very enjoyable to create something simple with fantastic fit, and finely made. I made the top layer of tulle 1.75 times fuller then i normally do to give this simple skirt a richer, fuller look. Saturday, December 12, 2009
Walnuts, Pecans, Cashews, Filberts, any kind of NUT really.

I was recently commissioned by the Charleston Ballet Theatre to design and create a new Nutcracker Mask for there existing production. The turn around on this project was very brisk, under two weeks. Thankfully I recruited the help of two amazing friends, Miodrag Gubeneric (costume designer, and technician) and Lavinia Morozan (seamstress to the stars, and all around amazing lady).Thursday, November 5, 2009
New piece for one or my Favorite Choreographers!
This is a Unitard i just designed and built for a solo piece choreographed by Garrett Smith. It is for a Karly Wilkens of the Houston Ballet Academy. I really like the pop in colors between the wine nylon spandex and the yellow and fascia airbrushing.
Garretts only requirement was that this look have a hood, which turned out to be my favorite part :) Lately my approach to work in stretch fabrics has been to create looks more complex than leo or unitards. I work to give more form to these simple silhouettes. Below is a leotard design i'm working on to create a "bodice" feel in stretch fabric surprisingly for another new work by Mr. Smith.
--Below is the translation of my above design into stretch fabric.. Designing custom textiles is new for me, but was very fun, and perfect for the project.. See another finished dress from the piece, and a couple of the costume renderings in the blog tittled - Design for new work by Garrett Smith. -
Thursday, October 29, 2009
Dragons are to Seldom Toddler PETS!
I Draped the pattern for the body in muslin.... I started by making a dragon "dress form" out of lumps of newspaper and masking tape.... i just kept adding paper until i had the shape of a body i was looking for...... a little twisted and whimsical... below is the paper base.
After draping muslin over this form i sandwiched high density upholstery foam between 2 layers of cotton Bobinette,, this gave me fabric seam allowance to stitch rather than trying to glue or stitch the foam bits together. It's a technique often used in making fat suits for theatre. The body of the dragon is once "piece" it's shape comes totally from a series of funky shaped darts, it is similar to how I created the ram horns for Stanton Welches "Dolls House" see them in the ballet section of my web page http://www.travishalsey.com/ .
The finishing work involved glitter glue, some nail polish(for wetness) , sequins, a chicken feather flame erupting from the dragons mouth, and of course a full round of airbrushing. I hope this inspires you for your next puppet project.
Thursday, October 22, 2009
Design for new work by Garrett Smith


Coreographer and Inspiration Garrett smith is putting a new "neoclassical" work together in Utah. The base of this design is taken from an oil portrait relevant to the time period.... then i mushed some other colors atop of it, and twisted the pieces abit. These will actualy be leotards with stretch skirts, and i'm having the leotards digitaly printed to fabric , then they will be assembled in chicago. Shoulde be an interesting project.... I'm looking forward to it. :) I will put up photos when things get rolling.... (Below is one of the finished dresses)
Wednesday, September 23, 2009
100 pieces are never enough.


Below is the start.
Below is the next layer of embroidery, and beaded lace that tops off and tones down the applique' and painting.
I was very lucky to found a lace with patterns that are a mirror image, it makes the frankensteining cut and piece work of the lace much easier. Once the lace is applied and drips onto other bodice pieces i will incorporate a few petite silken flowers and some additional crystals and bead work.
I will post more pictures as the tutu starts to take shape.
Sunday, September 20, 2009
The Amazing Aran Bell!
Pictured above is the Back Neck section of this years costume. As usual I've sandwiched several fabrics together to achieve color and texture of the design. For structure and breath ability the first layer (flat lining) is a taupe cotton twill. Atop that is a green dupioni silk edged with a bias strip of a yellowy gold dupioni. To blend these pieces together i used the airbrush with a iridescent holly green and a piece of lace as a stencil. The top layer of fabric is a "bollywood" embroidered net. To add interest to the top layer i will attach some hand worked china silk ribbon flowers, and paint into some of the gold cording to tone it down in places. Today I'm working on the upper section of the sleeves, which will be made from a darker green dupioni and they will be "continental" or North American smocked, this will give them a woven and very expensive look. ........ more pics to come.....
Ok the sleeves are underway....
